Tamika Bickham of M•I•A Magazine caught up with Willie at Pérez Art Museum Miami’s Tenth Anniversary of Art + Soul, celebrating the Fund for Black Art.
Photo by Devyn Nunez
Willie Cole Unveils Chandelier Sculptures Made of 6,000 Water Bottles at Express Newark
Internationally renowned artist Willie Cole, a Newark native, unveiled two chandelier-like sculptures made from more than 6,000 plastic water bottles at Express Newark in the city’s landmark Hahne Building on Thursday, February 2.
"We have a water bottle crisis and a water crisis in general,” said Cole. “Plastic is killing the environment, and lead pipes have impacted big cities around the country, including in Newark. Making a public structure draws attention and makes people ask questions, which can lead to conversation and potential solutions."
The sculptures, called "Spirit Catcher" and "Lumen-Less Lantern," are held together with metal wire and will hang year-long as installations in the Hahne building’s atrium and the lobby of Express Newark, the center for socially engaged art and design at Rutgers University-Newark.
Cole, who is this year’s artist-in-residence at Express Newark, is a sculptor known for assembling found objects and transforming discarded materials into social commentary. He has transformed Express Newark’s Paul Robeson Art Gallery into a working studio and site of co-creation, in which Rutgers-Newark students and residents of Newark were invited to contribute to the making of large-scale sculptures that are both visually striking and ecologically conscious.
Cole’s exhibition is part of Express Newark’s year-long showcasing of work based on the theme “Aliveness,” which informs the center’s programming of art installations, immersive films, public lessons, studio sessions and community classes. Express Newark leaders were inspired by scholar Kevin Quashie’s recent book, “Black Aliveness, or a Poetics of Being.”
Hyperallergic's Top Exhibitions of 2022: Willie Cole's "No Strings"
I’d sing a song of praise to Willie Cole’s exhibition No Strings if I knew how to sing or play any kind of instrument. What Cole did for this exhibition is transform blemished musical instruments — acoustic guitars, saxophones, pianos — into astounding sculptures depicting human and nonhuman forms. And those sculptures had stories to tell and songs to sing if one cared to mute all other noises and listen. Cole, who calls himself a “perceptual engineer,” is known for his work with found material, from plastic water bottles to shoes. In this show, found material finds a soul.
—Hakim Bishara
View the entire list here.